Filmmaker Magazine

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“The Budgetary Challenges of Getting a Dead Squirrel Puppet”: DP Sam Davis on Dìdi - Filmmaker Magazine

Sam Davis interviewed by Matt Mulcahey

September 16, 2024 | Filmmaker Magazine

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DÌDI 2024 - Filmmaker Magazine

interviewed by Vadim Rizov

September 16, 2024 | Filmmaker Magazine

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“Everybody Passed on It”: Sean Wang on Dìdi - Filmmaker Magazine

Sean Wang interviewed by Erik Luers

July 26, 2024 | Filmmaker Magazine

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“We Wanted the Film to be Available for Free”: Kris Bowers & Ben Proudfoot on the Oscar-Winning The Last Repair Shop - Filmmaker Magazine

Ben Proudfoot, Kris Bowers interviewed by Erik Luers

March 8, 2024 | Filmmaker Magazine

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“I’ve Never Had a Director Give Me a GIF as a Reference Before”: DP Cristina Dunlap on American Fiction - Filmmaker Magazine

Cristina Dunlap interviewed by Matt Mulcahey

January 18, 2024 | Filmmaker Magazine

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Sounds that Cannot Be Unheard: Sound Designer Johnnie Burn on The Zone of Interest - Filmmaker Magazine

Johnnie Burn interviewed by Jake Kring-Schreifels

December 15, 2023 | Filmmaker Magazine

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Creative Reactions: Cinematographer Hoyte van Hoytema on Oppenheimer - Filmmaker Magazine

Hoyte van Hoytema interviewed by Matt Mulcahey

December 15, 2023 | Filmmaker Magazine

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Inner Soundtrack: Composer Jerskin Hendrix on Poor Things - Filmmaker Magazine

Jerskin Fendrix interviewed by Charles Bramesco

December 15, 2023 | Filmmaker Magazine

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“Scorsese is Always Open to the Energy of the Moment”: DP Rodrigo Prieto on Killers of the Flower Moon - Filmmaker Magazine

Rodrigo Prieto interviewed by Daniel Eagan

November 8, 2023 | Filmmaker Magazine

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“A Journey That Allowed Us to Harness the Power of Storytelling”: Kaouther Ben Hania on her Cannes-winning Four Daughters - Filmmaker Magazine

Kaouther Ben Hania interviewed by Lauren Wissot

October 27, 2023 | Filmmaker Magazine

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“Contrary to Jean-Luc Godard, This Film Isn’t Truth 24 Frames a Second”: Errol Morris on The Pigeon Tunnel - Filmmaker Magazine

Errol Morris interviewed by

October 18, 2023 | Filmmaker Magazine

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“We Didn’t Want an Audience Member To Be Able To Say, ‘Oh, That Was Just One Bad Cop’”: Stanley Nelson and Valerie Scoon on Sound of the Police - Filmmaker Magazine

Stanley Nelson, Valerie Scoon interviewed by Lauren Wissot

August 10, 2023 | Filmmaker Magazine

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“Directing Is Being a Professionally Passionate Person”: Celine Song on Past Lives - Filmmaker Magazine

Celine Song interviewed by Tomris Laffly

June 2, 2023 | Filmmaker Magazine

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“Self-Aware Doesn’t Work for Us”: Joe Dante on The Movie Orgy, Matinee at 30 and William Castle’s The Tingler - Filmmaker Magazine

Joe Dante interviewed by

April 10, 2023 | Filmmaker Magazine

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“I Accumulated Hours of Vital Yet Unpublished Footage”: Mstyslav Chernov on 20 Days in Mariupol - Filmmaker Magazine

Mstyslav Chernov interviewed by

January 27, 2023 | Filmmaker Magazine

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Rediscovering the NBA’s First Female Player: Ben Proudfoot on The Queen of Basketball - Filmmaker Magazine

Ben Proudfoot interviewed by Erik Luers

March 10, 2022 | Filmmaker Magazine

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S. Leo Chiang | In Depth Interview with Filmmaker Magazine - S. Leo Chiang

S. Leo Chiang interviewed by Dan Chein

April 24, 2016 | Filmmaker Magazine

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Interview with Watchers of the Sky Director Edet Belzberg - Filmmaker Magazine

Edet Belzberg interviewed by Danielle Lurie

January 22, 2014 | Filmmaker Magazine

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An Interview With Frederick Wiseman - Filmmaker Magazine

Frederick Wiseman interviewed by Daniel James Scott

January 10, 2012 | Filmmaker Magazine

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Filmmaker Magazine

All Interviews

“The Budgetary Challenges of Getting a Dead Squirrel Puppet”: DP Sam Davis on <em>Dìdi</em> - Filmmaker Magazine

DÌDI 2024 - Filmmaker Magazine

“Everybody Passed on It”: Sean Wang on <em>Dìdi</em> - Filmmaker Magazine

“We Wanted the Film to be Available for Free”: Kris Bowers & Ben Proudfoot on the Oscar-Winning <em>The Last Repair Shop</em> - Filmmaker Magazine

“I’ve Never Had a Director Give Me a GIF as a Reference Before”: DP Cristina Dunlap on <em>American Fiction</em> - Filmmaker Magazine

Sounds that Cannot Be Unheard: Sound Designer Johnnie Burn on <em>The Zone of Interest</em> - Filmmaker Magazine

Creative Reactions: Cinematographer Hoyte van Hoytema on <em>Oppenheimer</em> - Filmmaker Magazine

Inner Soundtrack: Composer Jerskin Hendrix on <em>Poor Things</em> - Filmmaker Magazine

“Scorsese is Always Open to the Energy of the Moment”: DP Rodrigo Prieto on <em>Killers of the Flower Moon</em> - Filmmaker Magazine

“A Journey That Allowed Us to Harness the Power of Storytelling”: Kaouther Ben Hania on her Cannes-winning <em>Four Daughters</em> - Filmmaker Magazine

“Contrary to Jean-Luc Godard, This Film Isn’t Truth 24 Frames a Second”: Errol Morris on <em>The Pigeon Tunnel</em> - Filmmaker Magazine

“We Didn’t Want an Audience Member To Be Able To Say, ‘Oh, That Was Just One Bad Cop’”: Stanley Nelson and Valerie Scoon on <em>Sound of the Police</em> - Filmmaker Magazine

“Directing Is Being a Professionally Passionate Person”: Celine Song on <em>Past Lives</em> - Filmmaker Magazine

“Self-Aware Doesn’t Work for Us”: Joe Dante on <em>The Movie Orgy</em>, <em>Matinee</em> at 30 and William Castle’s <em>The Tingler</em> - Filmmaker Magazine

“I Accumulated Hours of Vital Yet Unpublished Footage”: Mstyslav Chernov on <em>20 Days in Mariupol</em> - Filmmaker Magazine

Rediscovering the NBA’s First Female Player: Ben Proudfoot on <em>The Queen of Basketball</em> - Filmmaker Magazine

S. Leo Chiang | In Depth Interview with Filmmaker Magazine - S. Leo Chiang

Interview with <i>Watchers of the Sky</i> Director Edet Belzberg - Filmmaker Magazine

An Interview With Frederick Wiseman - Filmmaker Magazine